Sampson Low Poetry Pamphlet series

Designed to evidence the remarkable contemporary and innovative poetry being written by current and recent Kingston University Creative Writing students, this series of beautifully designed pamphlets each features a suite of poems, most often on one theme or in one style, by a solo author. Visit https://sampsonlow.co/wck-pamphlets/ to purchase from the series.

Published by Sampson Low, one of the UK’s oldest publishing houses, being founded in 1812, and edited by SJ Fowler, this series mark the first publications of many poets who are very likely to be significant presences on the UK scene and beyond in the coming years.

January 2018 will see the release of editions #4 to #6 from Olga Kolesnikova, Yvonne Litschel and Silje Ree.

Click on the title and author to read more about each publication so far and buy a copy!:

“Kingston University brings together students from all over the world, from as wide a range of backgrounds and cultures as can be found in the UK. It creates a community that cross pollinates influences and ideas, and this is inevitably reflected in the work the students create. The university does not get enough credit for this – it is, I have seen, a vibrant, harmonious environment where originality and difference can be transformed into exciting and innovative expression. The students are hungry for that which is innovative, that which allows them to express the true size and complexity of their experience and their community at the university. This series of poetry pamphlets reflects that. The work is utterly contemporary, it is exciting and energetic. It is, I hope, the best kind of representation of what Kingston University stands for – intelligent, unique and various in its character.”  
Series editor, SJ Fowler

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Chronicology by Olga Kolesnikova is a cursory examination of physical pain and discomfort, and a passing glance at pain’s effect on the psyche. Pain is presented throughout the collection in multiple ways – disorientated narratives, a rejection of and an overindulgence in the language surrounding the self, and body-centred images. In each poem, pain takes a different role; in some it is an integral part of the pained, and in others it exists independently and is experienced by no one. Together, these fragments offer a taste of all that could be said on the subject of pain.

E∩N by Silje Ree is a poetry collection which uniquely uses words found across the English and Norwegian language. The debut collection is both intriguing and delightful, showing Silje Ree’s sagacious grasp of words and skilfully emphasising both the acoustic and visual elements of language. The bilingual footnotes are artful and inventive, creating a dialogue with the poem’s main body to give a powerful exploratory dynamic. The combination gives the reader who possesses knowledge of both languages a unique and profound connection and understanding with the material. Moreover, this divergence of language evokes curiosity in the English reader to find out the different meanings and explore the idiosyncrasy languages. E∩N is a result of Silje’s experience of living in both countries, and she explains that knowing two languages creates opportunities for cunning words and phrases to transpire. Ultimately, Silje executes the deviation in the footnotes with brilliance, guiding us to experience the poetry from the poet’s intent.

Moth Dust by Yvonne Litschel is at its core an exploration of death, and both its presence and prevalence in all aspects of existence. Whether positioned at the forefront of the piece, or present in a less overt manner, death can be found throughout the collection. Through a combination of lyricism and disjunction, the reader is accompanied through various narratives and encouraged to reflect upon the inevitable and learn to accept or even embrace it. The varying degrees of discussion aim to open up a dialogue about topics surrounding death. 


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